Review of Medusa, by Greg Clarke

Such is the stylistic character of this boutique hotel, had Hunter S Thompson happened upon the converted Victorian terrace in Sydney, its vibrant combination of colours may have sent even him into a state of unexpected confusion. Beyond the front door are tessellated tiles are red carpet and pink walls. At reception a copy of Medusa's severed head by Caravaggio hangs above a fireplace. There are Fritz Hansen chairs. For first time visitors this panoply will confuse even those who profess a level of sanity.

Architecturally designed, the whole hotel, somehow, works a treat and fits with Darlinghurst, often compared to New York's SoHo. No prizes for guessing that despite an owner who seems to need a dose of cheer, it's popular with creatives, including designers and advertising types. Kylie, reportedly, once stayed in 2007.

The facilities

The conference hall guarantees business proceedings take place smoothly, equipped with all the latest range of gadgets. The gym consists of state of the art fitness equipments from the treadmills, multi gym and weights; the fitness centre has it all.

The rooms

The originality is carried over into Medusa's 17 rooms, all of which have a funky clash of colours. Feature walls are finished with polished plaster. Four rooms have balconies that look over a bright Tuscan-inspired courtyard and a bespoke water feature. Some rooms have rustic timber shutters. Room 206 has a large balcony overlooking the street. What appears to be a built-in wardrobe is an unusual highlight in that it is a wonderfully designed bathroom.